12 Issue 12
Tuesday 2026-05-12
Contradiction Log issue
Issue title: Your Real Target Is Buried Under Fake Ones

Your Business Is Aiming at the Wrong Customer Target

The customer you want to impress and the customer you can serve well may be different people. Start with the work they want done, then check whether you can deliver it at terms that work for both of you.

A premium editorial desk with one brass target marker at the center and many crossed-out false targets around it.
A useful customer description tells you what to offer and whom to approach.

The customer profile looks finished. A name. An age. A job title. A photograph of someone who appears to have excellent taste in coffee.

Then you try to write the offer and discover that you still do not know what this person would buy.

A description can be detailed and still be useless.

Which customer should the business focus on?

Start with people who want a specific result you can deliver, can make or authorize the purchase, and can be reached through a route you can use. Compare their actual buying requirements with your offer, costs and capacity. Treat that choice as a testable focus, not a permanent claim about everyone you serve.

A customer worth choosing has a job to get done.

Here is a fictional example. A small cabinet workshop could describe its audience as “homeowners who appreciate quality.” That includes almost everyone who likes the photographs. It tells the workshop very little about the next job.

One homeowner wants a fitted storage unit for an awkward alcove. They have measurements, a budget range and an intended installation month. An interior designer wants a whole-house commission with custom finishes, several approval rounds and a schedule involving other trades.

Both could be good customers. They are different purchases.

If the workshop is equipped for small fitted units and local installation, the first job may suit its current offer. A whole-house commission may also be possible, but it needs different planning, terms and capacity. The designer is not a bad customer because that job is a poor fit today.

[Note]“Premium” does not tell you whether you can complete the order.

Look at the work you would like to repeat.

If you already have customers, put recent orders beside each other. What did they need? Why did they choose you? What did you actually deliver? Include changes, travel, materials and the time needed to finish. A large invoice is not automatically the most useful kind of work to attract again.

Ask customers what started the search and what mattered when choosing. Use their answer. Do not replace “we needed it installed before moving in” with a grand invented story about their lifestyle.

If you are starting without customers, speak with people who have recently bought the kind of work you intend to sell. Ask what they bought, how they found it, what alternatives they considered and what made the decision difficult. Someone liking your idea is a different signal from someone having bought a comparable result.

The SBA’s market-research guidance separates existing market data from direct customer research. Market size, location and alternatives help describe an opportunity. Conversations about an actual purchase help you understand the job inside it.

Make the choice specific enough to use.

For the workshop, a useful first focus could be: local homeowners who need one fitted storage unit, have a measured space and want installation within the workshop’s available dates.

Now the offer can show that work. The page can explain measurement, materials, price basis and installation. The photographer knows which finished pieces to show. A local renovation partner can recognize an appropriate introduction.

Compare that with “discerning people who value craftsmanship.” A fine compliment. A difficult mailing list.

Budget matters, but guessing that someone can afford the work is not qualification. Explain the price or quoting basis early enough for the buyer to decide. Check who needs to approve the purchase and what timing they require. Do the same honesty check on your side: can you deliver the scope, date and quality you are describing?

Choose a focus, then let buyers answer.

Offer that specific job to a small, relevant group. Record the questions, the quotes requested, the purchases and the work declined. If people consistently ask for a different size of job, investigate it. If they want your offer but cannot buy on the stated terms, the description needs another look.

Do not change the entire business after one conversation. Do not keep the same audience label forever because it looks good in a presentation either. Enough comparable conversations and completed work should make the next choice better informed.

Choosing one group for this offer or campaign does not mean refusing every other customer. It means you know who the message is meant to help first.

The useful output is a sentence you can act on: who wants what, why your business can supply it, and where the conversation can begin.

Old story

Our ideal customer is anyone who values quality.

Real mechanism

The offer needs a buyer with a specific job, workable terms and a reason to choose this business.

THE VERY SERIOUS TRANSLATION

Official version

We have developed a detailed customer persona.

Translation

We know their favorite coffee. We still do not know what they want to buy.

Name the job the customer wants done.
An editorial field-note visual for the one real target surrounded by false targets.
A CUSTOMER DESCRIPTION SHOULD HELP YOU MAKE AN OFFER.

Choose someone you can help. Make it clear what they can buy.

Stan Tscherenkow
The Contradiction Log

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From customer to offer

Turn the customer choice into a real offer.

The customer-acquisition guide gives you starting routes, an example approach and a way to count customers and costs. Use it once you know which job and buyer you want to focus on.

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